EXODUS
Feature Film
Home is Where
There is Hope and Fredoom

Exodus is the migrant story of people
from different walks of life who have been
displaced for various reasons, who all
share the same path of trying to escape to
new refuge. Overnight ordinary citizens
find themselves enemies of the state.
Suddenly they find themselves having to
say goodbye to loved ones, livelihoods
and homes in order to find safe refuge.
All set against the backdrop of Turkey.
It is a human story of desperation, love, persecution, compassion, outlaws, and an individuals will to survive.
It is a human story of desperation, love, persecution, compassion, outlaws, and an individuals will to survive.
awards
International Independent Film Awards 2025
Platinum Award Winner
Montreal Independent Film Festival
Honorable Mention Feature
Touchstone Independent Film Festival
Best Drama Feature
London Independent Film Festival
Best Drama Feature
Barcelona Independent Film Festival
Berlinale EFM (European Film Market)
Platinum Award Winner
Montreal Independent Film Festival
Honorable Mention Feature
Touchstone Independent Film Festival
Best Drama Feature
London Independent Film Festival
Best Drama Feature
Barcelona Independent Film Festival
Berlinale EFM (European Film Market)
cast
Denis Ostier as Hakan
Ümit Ülgen as Mehmet
Dilan Derya Zeynilli as Nilufer
Doğa Çelik as Sahab
Selen Cabel as Zelal
Azra Çiftçi as Havin
Murat Zeynilli as Yilmaz
Günce Ateş as Nermin
Gamze as Esra
Saudiq Baoku as Kembo
Alina Yakovleva as Yaren
Barbaros Öğüt as Eren
Ümit Ülgen as Mehmet
Dilan Derya Zeynilli as Nilufer
Doğa Çelik as Sahab
Selen Cabel as Zelal
Azra Çiftçi as Havin
Murat Zeynilli as Yilmaz
Günce Ateş as Nermin
Gamze as Esra
Saudiq Baoku as Kembo
Alina Yakovleva as Yaren
Barbaros Öğüt as Eren
key crew
Director: Serkan Nihat
Executive Producer: Murat Kesgin
Producers
Ilhan Gökalp
Sıdal Ergüder
Scriptwriters
Erkan Çıplak
Refik Güley
Cinematographer: Tom Bryan
Production Designer: Yavuz Fazlıoğlu
Costume Designer: Demet Kadızade
Composers
Ender Akay
Levent Güneş
Executive Producer: Murat Kesgin
Producers
Ilhan Gökalp
Sıdal Ergüder
Scriptwriters
Erkan Çıplak
Refik Güley
Cinematographer: Tom Bryan
Production Designer: Yavuz Fazlıoğlu
Costume Designer: Demet Kadızade
Composers
Ender Akay
Levent Güneş

Resources
FASHION COMMERCIAL
"Resources" is a re-imagining of the most famous story ever
recounted, wherein Lilith and Eve meet for the first time.
Women were created twice in the Old Testament. Lilith, the first woman in the world, was formed from dust by God and placed in the garden with Adam until issues emerged between Adam and Lilith when Adam attempted to exert dominance over her. Lilith then abandoned the Garden of Eden in order to seek her independence. The open-ended nature of the Lilith symbol has allowed different groups to use her as a destructive female symbol or a symbol of female power.
The second woman Eve was also created by God, according to the second chapter, by removing her from Adam's rib to be Adam's companion. She decides to eat the forbidden fruit from the tree of the knowledge of good and evil and the result is that Adam and Eve are expelled from the Garden of Eden.These two “sinner” women meet for the first time in a gorgeous nameless limbo where they only communicate through the moments of nature
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FLASHES
Short
Having never lost a game of pool in over twenty years, a retired world 9-ball champion, Reuben "Ruby" Howard, finally faces a worthy opponent, but the eerily persistent challenger confronts the legends love for the game, resulting in the ultimate sacrifice.




Crew
Mitya Lesnevski - Director
Mikhail Krichman - Cinematographer
Isobel Baker Smith - Production Design
Emily Pond - Costume
Matthias Djan - Gaffer
Sıdal Ergüder - Producer
Simon Alexander - Producer
Isobel Baker Smith - Production Design
Emily Pond - Costume
Matthias Djan - Gaffer
Sıdal Ergüder - Producer
Simon Alexander - Producer
Awards

COMMERCIAL




Café Mortel is the first funerary creative direction agency to restore ecosystems through more sustainable means of transcendence by fusing pathways of fashion, theatre, philosophy, music, museography, dance, sculpture, culinary arts, mathematics and more. To launch the avant-garde funeral planning start-up, Café Mortel will present its very first fashion film entitled A Routine to Die For, written and directed by emerging creative director Ruby Cohen-Love. The company promotes interdisciplinary practices in the arts and in the fields of innovation and technology. This film was a collaboration with Sıdal Erguder from Zero Productions, director of photography Barbara van Schaik, choreographer Avatara Ayuso, Bomas and Parr Studio and their wonderful gelatine, Benham and Fround products, art director Elisa Ghysels and set designer Clara Boulard.
ORIGINS
Named in honor of Bernard Crettaz's cafe mortel movement, which hosted over 40 death discussions across Switzerland between 2004-2010. Crettaz promoted open conversations about mortality by removing the specialist barrier, allowing people to explore their curiosity about death in a safe, structured space.The concept for reimagining funeral rites emerged in 2017, when founder Ruby Cohen Love envisioned her own funeral as a fashion exhibition. This vision evolved into a luxury death-style brand focused on being alive, not on grief.
PHILOSOPHY
Cafe Mortel is about death, but it is for the living. We create space for people to explore their curiosity about death in a safe, structured environment that focuses on being alive. Thinking about death allows you to change your priorities in life - if you plan for your death you will have an awareness of whether you are living the life you want to lead until that time.
SUSTAINABILITY
Committed to sustainable innovation in the death care space, we partner with pioneers ranging from mycelium coffin creators to memorial coral reef restorers. Our circular vision ensures that end-of-life practices contribute to environmental regeneration rather than depletion.
︎︎︎ Show Studio
ORIGINS
Named in honor of Bernard Crettaz's cafe mortel movement, which hosted over 40 death discussions across Switzerland between 2004-2010. Crettaz promoted open conversations about mortality by removing the specialist barrier, allowing people to explore their curiosity about death in a safe, structured space.The concept for reimagining funeral rites emerged in 2017, when founder Ruby Cohen Love envisioned her own funeral as a fashion exhibition. This vision evolved into a luxury death-style brand focused on being alive, not on grief.
PHILOSOPHY
Cafe Mortel is about death, but it is for the living. We create space for people to explore their curiosity about death in a safe, structured environment that focuses on being alive. Thinking about death allows you to change your priorities in life - if you plan for your death you will have an awareness of whether you are living the life you want to lead until that time.
SUSTAINABILITY
Committed to sustainable innovation in the death care space, we partner with pioneers ranging from mycelium coffin creators to memorial coral reef restorers. Our circular vision ensures that end-of-life practices contribute to environmental regeneration rather than depletion.
AGCT
Short
NY based Catalan photographer and film director Romulo Sans’ short narrative “AGCT”
telling a uniquie story between Walter Bampfylde (62) - is the majority shareholder in NY
and afflicted with autism. He is consulting to double agent for Russia and her native
Romania Nadia (30) to discover a remedy for his illnesses. On their journey to Moscow,
he will meet with Dr. Zibok and his virtuoso treatment.
about the director
Photographer and film director Romulo Sans’ last project ever “AGCT” is broadcasting for the first time with Zero Productions on the 6th Anniversary of he’s passing.
“Sans’ continual observation of worldwide concerns and his desire to use imagery as a vehicle to understand disconcerting issues...
I could only witness his last 3 years on Earth, Sans was brimming with motivation, completely devoted to his speciality and spreading the brightest light to the film industry. He is a Genuine Artist and a True Maestro.
“Sans’ continual observation of worldwide concerns and his desire to use imagery as a vehicle to understand disconcerting issues...
I could only witness his last 3 years on Earth, Sans was brimming with motivation, completely devoted to his speciality and spreading the brightest light to the film industry. He is a Genuine Artist and a True Maestro.
Sıdal Ergüder
Producer
Producer